Gauguin went far to find his garden of eden. He arrived with its lovely and mysterious image, drawn in part from his own desires, already partially fixed in his mind's eye;
otherwise he could hardly, in cold blood and with an objective vision, have mustered up the courage to seek it out. Therefore he rarely looked at his surroundings as they were,
rarely painted them with¬out some added elements of his ideal vision, no matter how often, in retro¬spect, he understood that this had been deceived.
This canvas does achieve that sort of simplicity. It is a study of the nude, with no admixture of the programmatic. Perhaps for this reason it is softer than many of Gauguin's pictures. The bodies are modeled, the colors light in tone. Gauguin wrote with admiration of the erect stature, the broad shoulders, the strength with grace of the Polynesian women.